Feeling clumsy at first because her only previous experience with drawing was to make ‘pictures’ on the ice window of her igloo as a child, Kigusiuq rapidly became engaged by this new activity and quickly proved herself to be a talented and inventive draftsperson with a distinctive personal style.
“Kigusiuq draws inspiration for her art from her experience living on the land as a young woman, and she typically depicts communal activities from traditional Inuit lifestyle. Winter camp scenes, groups traveling on the land by foot or dogteam, and Inuit celebrating traditional drum dances are among her favored subjects, though Kigusiuq occasionally illustrates episodes from traditional Inuit mythology and from the Christian Bible as well. She is best known for her carefully controlled graphite pencil line drawings in which she situates large numbers of people and animals in complex relationships with one another frequently adding Inuktitut syllabic notations to clarify her intent or to present conversation among individuals. She rarely incoporates color, preferring instead the clarity of carefully-drawn line.”
Marion E. Jackson in “North American Women Artists of the Twentieth Century: A Biographical Dictionary”, 1995