Red Loons

Description

‘Red Loons’ by Eva Noah from Baker Lake — this 2025 original textile wall hanging is a magnificent, modern masterwork of hand-cut felt applique and narrative embroidery.

Condition: No condition noted.

Description by Artist: No description by artist found.

Notes from DaVic Gallery:   This amazing 2025 textile wall hanging by Eva Noah is a brilliant tour de force of high-impact graphic modernism and traditional Arctic storytelling. Spanning an impressive 41 x 54 ½ inches across a premium, light-absorbing slate-grey wool duffle substrate, the composition demonstrates an exceptional command of negative space, allowing its bold, symbolic entities to breathe with unshakeable curatorial authority

Born and based in the historic creative epicenter of Baker Lake (Qamani’tuaq), Eva Noah belongs to the elite generation of contemporary masters who inherited the textile legacy pioneered by icons Jessie Oonark and Irene Avaalaaqiaq. Noah has refined this heritage into a distinctly minimalist visual language, where few graphic elements are charged with immense narrative weight. This exceptional canvas beautifully manifests the core Inuit cultural value of Tunnganarniq—fostering a spirit of deep interconnectedness, mutual respect, and welcoming belonging—by translating the profound spiritual relationships between humanity, the avian realm, and the cosmos into a unified visual equilibrium. Rather than fracturing the field, Noah organizes this transformation sequence into an elegant, scannable narrative matrix:

• The Avian Collective: Eight highly stylized, hand-cut crimson red loons (Qarsauq) encircle the field, their dynamic, multi-directional winged forms pulsing with intricate internal multi-strand embroidery.
• The Shamanic Axis: A prominent, centrally positioned human-bird hybrid clad in a deep midnight-navy parka captures the absolute apex of shamanic transformation (Angakkuuniq), where human consciousness merges seamlessly with avian sight.
• The Lineage Anchor: A secondary, highly detailed ancestral portrait mask in the lower-right register observes the spiritual flight, balancing a floating black avian profile to the left.
• The Celestial Compass: A vibrant golden-yellow sun, meticulously secured with radiating embroidery floss in the upper register, stabilizes the layout to symbolize cosmic illumination, seasonal renewal, and permanent balance.

Noah’s technical execution is pristine. Every hand-cut felt applique motif is locked into the heavy duffle backing using flawless, contrasting blanket stitches and tight whipstitches. The internal herringbone accents and sweeping chevron patterns stitched across the bodies of the red loons act as structural shading, giving the flat textile shapes three-dimensional energy under professional gallery lighting.

From an investment and scarcity perspective, Eva Noah’s output is highly disciplined and strictly limited, making original wall-hangings of this physical scale and narrative clarity exceptionally scarce. Positioned in the historic 2025 collection era—a definitive milestone period for Baker Lake textile art—this pristine masterpiece represents an unmissable, highly strategic acquisition opportunity for private connoisseurs, corporate collections, and institutional curators seeking an elite asset that perfectly honors ancestral Inuit continuity while embracing a bold, contemporary aesthetic.

The letter‑size (8.5 × 11 in) sheet visible in the final reference image provides immediate scale context, underscoring the textile’s balanced proportions and strong wall presence.

Copyright Note:

© DaVic Art Gallery, 2026. All rights reserved. Content may be quoted or reproduced for educational or promotional purposes only with clear attribution to DaVic Art Gallery of Native Canadian Arts and inclusion of the original artwork title and artist’s name.